Intel® Shooting Star Drone Display. A press release from Intel 03/11/2016
The Intel® Shooting Star drone is the company’s first drone created for entertainment light shows. The drone is designed with safety and creativity in mind with a super light-weight structure and virtually limitless color combinations. We’ve also worked with the FAA to receive a Part 107 Waiver to fly these drones as a fleet with one pilot at night in the U.S. This means we can now create beautifully choreographed images in the nighttime sky quickly and easily in the U.S. We are looking forward to using this new fleet of Intel Shooting Star drones publicly soon. Find more information on the Intel Shooting Star fact sheet.
MAVinci GmbH Acquisition
We believe drones are an important computing platform for the future and we are continuing to invest in technologies and companies that will enable us to provide the best compute, sensor, communications and software integration for the growing drone ecosystem. To this point, we have acquired MAVinci GmbH, a drone company based in Germany that offers best-in-class flight planning software.
With this transaction, we are gaining expertise in flight planning software algorithms and also fixed-wing drone design capabilities that complement the technology and knowledge Intel previously acquired from Ascending Technologies. This new acquisition will play a key role in providing solutions for industries such as agriculture, insurance, construction, mining and more.
These announcements represent a string of progress we’ve made in the drone space. In August, we introduced the developer-focused Intel Aero Platform and the Intel Aero Ready to Fly* Drone that will be available by end of the year. And prior to that, we collaborated with Yuneec, to launch the Yuneec Typhoon H with Intel RealSense Technology that provides industry leading collision avoidance features.
As we build new capabilities and enable products and solutions in the drone space, we will continue to demonstrate how far and how fast this exciting technology can advance.
The NHK Tokushu documentary series The Silk Road began on April 7, 1980. The program started with the memorable scene of a camel caravan crossing the desert against the setting sun. Kitaro’s music imparted a sense of timelessness, and actor Ishizaka Koji’s resonant narration began with the phrase, “The Silk Road begins in Chang’an and ends in Chang’an.” NHK Tokushu broadcast this series over 10 years. It was the start of an epic televisual poem.
The first journey described in the series began in Chang’an (now Xi’an), at the eastern end of the ancient route. On 450,000 feet of film, the NHK crew recorded the path westward to the Pamir Heights at the Pakistan border and this material was edited to make 12 monthly broadcasts. The program gradually revealed how ancient Japan was influenced by the other cultures along the Silk Road.
Seven years in the planning
Back then, it was generally thought to be impossible for TV cameras to penetrate the remotest regions of the Silk Road. But seven years of planning and negotiation overcame the various obstacles.
In September 1972, an NHK director was in Beijing for the TV relay of Prime Minister Tanaka Kakuei’s visit to China. The day after diplomatic relations between the two countries were restored, Chinese Premier Chou Enlai invited reporters to a reception at the Great Hall of the People. In a speech to them, the premier stated that China and Japan were no longer at war and asked for their support in introducing China to the rest of the world. He told them that this was their duty as journalists.
The director recalled how the Han and T’ang dynasties were eras of great cultural transfer to China, how China had accepted the cultures of many lands and made itself the most prosperous country. The Silk Road was the medium that made this phenomenon possible. He felt The Silk Road could be a TV program that responded to the hopes of the Chinese premier.
A broadcaster’s dream
The executives of NHK’s General Broadcasting Administration strongly supported this idea. Gaining access, however, was a problem. In a previous program, the camera crews for Legacy for the Future (1974-75) had not been able to enter the Silk Road region.
How were China’s doors to be opened? Various negotiating routes were available, and the breakthrough came at the end of October 1978, with Deputy-Premier Deng Xiaoping’s visit to Japan. The program director boarded the special train on which Deng was traveling and managed to talk to his secretary, passing on NHK’s request to shoot scenes in the Silk Road region. On New Year’s Eve, permission was granted and the enormous joint project began.
Seventeen years after the program was conceived, the project was completed. Writer Shiba Ryotaro described The Silk Road series as “the most fruitful Sino-Japanese cultural exchange in postwar history.”
Well done the BBC!
There is debate about as to where the music for the series has come from – many people on the internet seem to think it may originally be from Hans Zimmer (“Time”) and his score from the film “Inception“? But below is the first of the series – “Shock & Awe”
A film about a group of naked men in sauna’s across finland might seem an unlikely film to watch, perhaps not one which captures the idea of a real tear jerker; but Joonas Berghall and Mika Hotakainen’s “Steam of Life” is different it’s touching audiences and has won awards through its powerful well edited fly on the walll, or rather camera in a sauna in letting real men talk with friends about their hopes and fears.
Variety had the following to say about the film : “Whoever says “boys don’t cry” should watch “Steam of Life”.
Another Critic wites: “Mika Hotakainen interviewed a dozenFinnish men as they sat in saunas and steam rooms, opening up to eachother and the filmmaker team about hardships they’ve faced in life….What is revealed in Steam is that in moments ofemotional turmoil and crisis, people benefit the most merely by being heard.”http://steadydietoffilm.typepad.com/blog/2010/05/review-steam-of-life.html
Below is the trailer from “Steam of Life”
The University of Manchester’s Jodrell bank radio observatory in Cheshire has opened itself to live music shows and musical artisitic performances more information about this visit it’s site http://www.jodrellbanklive.co.uk/shows. The video below is of Placebo who used Jodrell Bank and it’s famous Lovell Telescope as a backdrop in one of their recent videos.
Is this the future for mankind?
The following video makes me question our obsession with technology!